BUDDHIST SCULPTURES
Anatoliy Anshin
Traditional Japanese culture has fascinated me since my youth. Initially studying it academically in Russia, where I was born and spent the first half of my life, and later in Japan, where I have lived permanently for more than 20 years. However, it has been only recently that I have embarked on capturing Japan's nature, history and culture through fine art photography. Buddhist sculptures from ancient temples are main subjects in my work, however, it is not my intention to merely record historical artifacts. Rather, I aim to visualise and reconnect with the spirituality of ancient culture, which, although often lacking in our daily life, is still accessible if we keep our hearts and minds open.
Often covered with cracks and moss, but still beautiful and full of mysterious symbolism, these sculptures silently remind us of what we are increasingly bereft of in the modern world – self-introspection, peace of mind and unity with nature. Yet, some are designed to convey simple messages; for example, the stone water tubs which are common in the gardens of Buddhist temples throughout Japan. They feature a square central to their design, surrounded by four characters, one for each identical side. Read clockwise from the top, they translate to “I only know that enough is enough,” referring to the central Buddhist concept of controlling one’s desires and the ability to be content with little. Perhaps, in our age of mass consumption, this message can be regarded as a wake-up call. Indeed, many of these ancient sculpture’s symbolism have the potential to still impart wisdom to this day. At the same time, their impactful visual language full of natural beauty is something from which we as photographers can learn a lot.
This article first appeared in PRISMA, Issue 17.