Introduction to PRISMA

Louise Anderbjörk

Dear reader, 

Welcome to the first ever issue of PRISMA Photography Magazine! As founder and editor-in-chief, I am incredibly happy to have reached this day, where several months of planning have finally come together in a finished product to share with you. I thought I would take the opportunity in this article to expand on how PRISMA came to be, but before I do that, I would like to highlight the astounding work of my editorial team this semester and extend a massive thank you to all of them! I am honoured to work with such talented people and am very proud to present an introduction to all of their individual portfolios through the seven articles in this issue. 

From Equestrian Hobbyist to PRISMA: The idea of starting a photojournalistic magazine naturally emerged from my big passion for photography, which I first discovered as a young equestrian. At the age of 12, I began to capture local competitions, both in dressage and showjumping, and after a few years I started working part-time for Stockholm Equestrian Federation as a publicist and photographer. This gave me a first taste of sport and event photography, and culminated in the opportunity to cover Stockholm International Horse Show in 2018 as my first major sporting event. Simultaneously, I also developed a growing passion for nature and macro photography, and loved bringing my camera whenever I travelled to new places.

Still, it was not until my first year at university that I explored journalism, and began to see photography as a potential professional career after my degree, rather than just a hobby. By joining Lightbox and student newspapers, I was introduced to event photography on a new level. One of the most unforgettable events that I have been fortunate enough to cover at university was the Royal Edinburgh Military Tattoo 2022, which was a major influence on the emergence of PRISMA. Being offered such an incredible opportunity through photojournalism inspired me to work with photography even more, and gave me the idea of developing a magazine dedicated to just that. Nevertheless, I undoubtedly still see the most important moment for me as a photographer to be when I first discovered the niche of theatre photography during a St Andrews production of Eurydice in March 2022.

Having never stepped foot in a theatre setting before, and even less so with a camera, Eurydice turned out to be my lucky attempt at something new that completely changed the role of photography in my life, and opened up doors I did not even know existed. Following that first try at theatre photography, there is nothing I spend more time with, or would rather be doing, than covering shows and being involved in their production at the same time. Theatre took me to the Edinburgh Fringe 2022, where I got to work with some amazing shows as a photographer, and, absolutely loving that experience, I returned to St Andrews to work with 9 shows and cover over 30 events in one semester.

I have so much to thank all the wonderful people I get to work with everyday as a photographer, for allowing me to have the most amazing times whilst doing what I love the most. I could not be happier to now find myself spending the majority of my free time in photography, especially with PRISMA growing as an exciting project ahead, to learn and develop further from. My primary aim with PRISMA is to build a platform where photographers of all experience levels can meet and display their work in our monthly issues, and where diverse opportunities to grow as an aspiring hobbyist or professional photographer can be shared through our photo stories and editorial articles. I hope that PRISMA will be a way to share my passion with all of you and to help as many as possible find their niche in the amazing world of photography! 

This article first appeared in PRISMA, Issue 1.