THEATRE PHOTOGRAPHY

Louise Anderbjörk

A year ago, in March 2022, I found a passion for theatre photography when I took on the role of  publicist for a student production of Eurydice. Since then I have photographed for numerous shows, working with the most incredible people, and valuing the opportunity to give the cast and crew photos that capture their talent and hard work.

My work in a production usually begins during the rehearsal process, where I get the chance to familiarise myself with the show. As live acting can be both fast-paced and unpredictable, it makes my job on stage so much easier if I know how the actors will move and interact, so as to not miss that fleeting moment of the perfect shot. It is then during the dress-and-tech run, a few hours before the opening show, where I take the majority of my ‘show’ pictures. This allows me to move around freely in the auditorium, but still shoot in show-like conditions. If after this I still need to take some complementary photos during a live performance, it becomes an interesting task to mask my presence, such as trying to time the photo with a laugh from the audience, so as to cover the shutter noise.

Usually, I average on around 1300 photos from one such dress run, which I then spend the following day editing down to around 200-300 photos for the cast and crew. These then serve as my photographer’s post-show congratulations. From get-in day to closing night, there is little time for anything but preparations, shoots, and editing, but I love every aspect of it, and feel incredibly lucky to have worked with so many wonderful productions in just one year.

This article first appeared in PRISMA, Issue 4.